Photographers Active in Greeley in the 1880s (Part 2)

This post identifies studio photographers active in Greeley between 1886 and 1889.   See my earlier posts for photographers working in the 1870s and early 1880s. Did I miss any photographers?  Can you provide any additional biographical details?

1886-1888

Webster Bros.
Webster Bros., photographer. Mary Hawes and her dog, June 1889. City of Greeley Museums, Permanent Collection, AI-4700, .

Webster Bros.  A partnership of Harry D. Webster and Frederick A. Webster.

Harry Dorr Webster (1852-1927) was born on a farm in Hadley Township, Michigan to Edwin Baldwin Webster and Anna White Webster, the first of at least eleven children. In the early 1870s, he apprenticed to a Michigan photographer before studying under George F. Maitland of Buffalo, New York.

Harry worked briefly in Flint, Michigan before moving to Lapeer, Michigan to work for Charles A. Kelley.  Webster purchased Kelley’s gallery in 1879 and would continue to operate a studio in Lapeer until 1886 when he moved West. He opened Webster Bros. studio with his brother Frederic Arthur Webster in Laramie, Wyoming, before taking over Koonz’s studio in Greeley. The firm dissolved in January 1889.   Frederic moved further west and H. D. continued to work in Laramie until 1896.

Court House, Greeley
H. D. Webster, photographer. Court House, Greeley, Colorado., 1886. City of Greeley Museums, Permanent Collection, AI-0058.

In January 1897, Harry Webster sold his studio and moved to Cripple Creek, Colorado.   He and E. A. Yelton, worked together as Webster & Yelton through September 1897 at Cripple Creek.  Webster then worked on his own through 1904 and  ran a floral business from his home.

By 1907, Webster had relocated to Wilbur, Oregon, and in 1910 to West Pomeroy, Washington working as a photographer at both locations.  In 1914 he took over Miss Edith Robinson’s studio in Burley, Idaho.  Seven years later, in 1921, he placed an advertisement in the Burley Herald offering his studio for sale.  He died on June 11, 1927, at Burley.  He was buried in the Avondale Cemetery in Flint, Michigan.

1886-1888
Frederick  Arthur Webster
(1860-1933) was born in Lapeer, Michigan.  He learned photography at fifteen from his older brother Harry Webster.  They worked together in Lapeer and later F. A. Webster worked in St Johns, Michigan.  Between 1886-1888, the two brothers ran the Greeley branch of the Webster Bros. studio.

In 1889, Webster moved to Oakland, CA where he would maintain a photography studio for over four decades.  He published a booklet of his photographs of the 1906 San Francisco earthquake.  Throughout his career, Webster was active in professional associations. In 1918, his work was profiled in the Photographic Journal of America. The work included a portrait of Webster and several photographs by him. He died on April 26, 1933 in Oakland, CA.  His wife and one son survived him.

1889-1893
Morton Ellsworth Chase
(b.c. 1861-1929) was born in Dearborn County, Indiana to Anthony Chase and Sarah Tufts Butterfield Chase.  In 1866, the family moved to Urbana, Illinois.  Anthony Chase died before Morton was ten years old.  After Anthony’s death, Sarah Chase ran a boarding house in Urbana.

Morton E. Chase attended the Illinois Industrial University, now known as the University of Illinois Urbana- Champaign.  In 1881, he taught painting at the school and there he met his first wife, Mary McNeil.  Mary was also an artist, skilled in crayon work and painting.  They were married on September 5, 1882.

Chase’s photography career began in Urbana with Jacob Scoggins.  In 1884, Chase purchased a studio in his hometown.  His photographic work won prizes at the county fair and the university hired him to make the senior class portraits, a contract usually given to a Chicago studio.  Sadly, Chase’s wife died of consumption in the fall of 1885.

Leaving his gallery in charge of G. R. Gamble, Chase traveled west, landing a position at C. C. Wright’s Central City, Colorado studio.  He promised to return to Urbana by April 1, 1886, where he would offer new styles of photographs, but shortly after his return, Chase put his possessions up for auction and in early September headed back to Colorado in a covered buggy with his friend William Goodspeed.  By March 1887, Chase had opened a studio at the corner of 15th and Larimer in Denver, offering locket-sized photographs to life-sized portraits.  In June, he married Mary Annette “Nettie” Beymer (1864-1949). After a year in Denver, Chase returned to Illinois, taking charge of Thomas Naughton’s studio in Champaign.  Soon, however, the Chase’s returned to Colorado, this time settling at Greeley.

Chase documented the rural community of Greeley, making portraits and photographing the agricultural riches of the area, especially its large potato crops.  He also traveled around with his tent studio, including a trip to Erie, Colorado to photograph its coal mines.  During the summer of 1890, Chase spent two months in the mountains near Breckenridge, Colorado.  After he returned to Greeley he set out in his photo car for towns in northern Colorado, including Berthoud and Lyons.

Child with dog
M. E. Chase & Co., photographer. Unidentified child and dog. Collection of the author.

Early in 1892, Chase hired photographer F. E. Baker, who managed Chase’s new branch gallery on the eastern plains in Fort Morgan.  The town had never had a resident photographer and relied upon itinerants, so they were excited about having a local photographer.

In the fall of 1892, Chase ran out of photo paper.  It took six weeks to replenish his stock which interfered with business before the Christmas holidays.  The following March, Chase sold his business to F. E. Baker and  left Greeley under a dark cloud.  Unsubstantiated rumors circulated that he was romantically involved with a young girl who worked in his studio, causing Mrs. Chase to suffer a relapse of typhoid fever.

The Chases moved to Manitou, Colorado in 1897.  The following year Chase bought Dalgleish’s Ouray, Colorado studio.  In March 1901, Chase took Harvey Lewis as a partner, with Chase behind the camera and Lewis managing the business.  In the fall, Chase partnered with H. E. Lutes.  Their views were sold at book and stationery stores in the area and were popular with tourists.  They had a photo car that traveled to mountain towns.  In March 1902, their partnership was dissolved with Lutes taking over.  Chase continued to work in the photo business from his home.

In August 1902, Chase accepted a position in Brumfield’s Silverton studio.  He later worked in several cities throughout the state as a photographer and house painter.  Morton Ellsworth Chase died on January 17, 1939 in Los Angeles, California.

1889
Phil Bevis
(1865-1948) studied architecture at the University of Illinois at Champaign, but poor health prevented him from completing his studies.  He worked in the university’s blueprint room before moving to Greeley to assist photographer, Morton E. Chase.  Later, he served as general secretary of the Y.M.C.A. for several decades.

Thank you to Beverly W. Brannan for editing this post.  Miranda Todd at the Greeley Museum provided research assistance and scans.  

 

C. C. Wright Photographs Colorado’s Legislature

Charles C. Wright was born in East Livermore, Maine.  He married Sarah Ann Judkins on November 28,1860, in Lawrence, MA.  Marriage records cite his occupation as a teamster.

By 1870, Wright, known professionally as C. C. Wright, operated a photography studio in Lafayette, Indiana where he worked for more than a decade.  In 1882 he arrived in Colorado, setting up a temporary gallery in Central City, before opening a studio in Denver that December over Reithmann’s Drug Store, at the corner of Fifteenth and Larimer streets.

Stereo of Larimer Street
Alexander Martin, photographer. Larimer St. from 15th St., showing C. C. Wright’s photography gallery on the right, between 1882 and 1886, albumen silver stereo view. History Colorado. Accession # 84.192.405.

In 1884, for the July 4th holiday, Wright and his wife accompanied a small group to Silver Plume on the Colorado Central via the recently completed Georgetown Loop, an engineering feat of horseshoe curves and four bridges that were used to link Georgetown with Silver Plume, only two miles apart.

That same year, Wright employed a young Adolph F. Muhr, later known for his portraits of Native Americans.  In 1885, Wright’s brother-in-law, David Roby Judkins, briefly worked at the Denver studio. In December 1885, Wright opened a branch gallery in Central City, employing Morton E. Chase.

CO Senate
C. C. Wright, photographer. Colorado Senate, 1885, albumen silver print. Denver Public Library Special Collections.

Wright photographed the Colorado legislature on more than one occasion, making a composite portrait of the 1885 Colorado Senate.  He also made a group portrait of the pages that assisted the state legislature.  Nine boys wearing hats bearing the words “House Page,” stand in front of a hand painted backdrop.  The backdrop is signed on the lower left corner by Davis and a partner’s name that is illegible.  

Wright was one of six photographers who submitted work to the Colorado Manufacturers Exposition held in Denver in 1886.

House Pages
C. C. Wright, photographer. House Pages, between 1882-1887, albumen silver print. Denver Public Library Special Collections.

On January 20, 1887, Wright was traveling through the city in his carriage when he made a sharp turn.  The carriage tipped over, and Wright landed in the street.  He died less than a week later from injuries sustained during the accident at the age of forty-six.  A large funeral was held with participation of fraternal organizations and many local photographers. The procession led by the Opera House band, walked to Wright’s studio where services were conducted.  The crowd then proceeded to Riverside Cemetery.  

Shortly before his death, Wright had opened a new studio at 910 Sixteenth street. His wife is listed as a photographer in the 1887 Denver City Directory.  Henry Rothberger took over the studio by October 1887.

Thank you to Beverly W. Brannan, former curator of photography, Library of Congress, for proof-reading this post.

Ouray County’s 19th Century Photographers (Part 2)

This post provides a chronological list of all known 19th century  professional studio photographers in Ouray County between 1892 and 1900.   See my earlier post for photographers working between 1880 and 1891.  This post shows how quickly some studios changed hands.  Did I miss any photographers?  Can you provide any additional biographical details or photographs?                                                                   

cabinet card
Brumfield, photographer. Portrait of a woman in her home. Albumen silver print. Ouray County Historical Society.

1892-1898                                                           Micheal Brumfield (c. 1855-1922) Brumfield arrived in Ouray in 1890, working with John E. Gilbert as Brumfield & Gilbert.  Brumfield split his time between Ouray and Silverton, making landscape views and portraits.  The Ouray Herald reported on his panoramic view of Ouray produced in 1896.  In December 1896, Powell briefly took over Brumfield’s Ouray studio.  Brumfield returned to Ouray for the 1897 Christmas season.  Johnson took over his studio in January 1898.  Brumfield continued to operate out of Silverton until 1911. His portrait of the unidentified women (left) was likely made in the woman’s home, rather than a studio.

1896-1897                                                                                                                        W. A. Powell succeeded Brumfield in November, 1896.  He photographed Ouray’s July 3, 1897  snowstorm, selling more than 500 copies of the scene.  Later that month, Powell and his wife left Ouray for Boise City, Idaho.  His studio was taken over by the Reed boys.

1897                                                                                                                           Reed No further information found.

1897-1898                                                                                                                     Edward John Fowler, (1871-1927)  E. F. Fowler was born on August 11, 1871, in Chicago.  He attended the University of Michigan.  In 1897 he produced a souvenir booklet entitled “Around & About Ouray.” No copies of this booklet are known to be extant.   He was active in the Ouray Camera Club.  By 1900 Fowler had moved to California where he worked as an engineer.  Fowler died in San Francisco on October 19, 1927.  

1898                                                                                                                                    Johnson, possibly R. H. In January 1898 Johnson advertised as “successor to Brumfield.”  But in  March 1898, Thomas McKee purchased the fixtures of this gallery.

Thomas M. McKee  (1854-1939)  McKee’s primary studio was located  in Montrose, Colorado where he worked with his wife, Mrs. Amanda S. Kauffman McKee.  He opened his Ouray quarters, about 35 miles south of Montrose, in January 1898.

Mrs. Amanda S. Kauffman McKee  (1863-1919)  Mrs. McKee ran her husband’s studio when he traveled.

George Dalgleish   Dalgleish, worked in Georgetown and Silverton, and for a short time in Ouray.  The Ouray Herald reported on October 13, 1898 that Dalgleish sold his Ouray gallery to Morton E. Chase.

Morton E. Chase  (1861-1939) operated studios in Greeley and Colorado Springs before setting up shop in Ouray in October 1898.  In 1902, Chase went to work for Brumfield in Silverton.

Una Wheeler  After joining Ouray’s camera club, Wheeler perfected her skills to become a professional photographer.

Beaumont Hotel
Attributed to Una Wheeler, photographer. Beaumont Hotel, Ouray, silver gelatin print, circa 1895. History Colorado. Accession # 2000.129.939

1899-1900                                                                                                           Orlando Fred Tyler (1857-1917)  In 1899, Tyler arrived in Colorado, setting up a studio in Ouray in the Opera House block.  He advertised for a  young  lady to learn to finish photographs that November.  In March 1900 he opened a photography school at his gallery, planning to teach amateurs how to use their Kodaks.  By September 1900, Tyler had moved to Pueblo, Colorado.  

Working Dates Unknown   I have seen prints by both of the firms listed below at the Ouray Historical Society, but I have been unable uncover other details or date the studios.                                                 Ouray Art Gallery
Brumfield & Smith, a partnership of Michael Brumfield and an unknown individual named Smith.

Thank you to Gail Zanett Saunders, volunteer photo archivist, OCHS, for providing access to the work of several Ouray photographers during my visit.  Additional thanks to Kathy Gibson for bringing Frank S. Balster to my attention.  This research trip was possible due to the generosity of the The Peter E. Palmquist Memorial Fund for Historical Photographic Research.