Photographers Active in Greeley, Colorado in the 1870s

The Union Colony of Colorado was founded in 1869 by Nathan C. Meeker as a utopian agricultural community.  The town’s name was changed to Greeley in honor of New York newspaper editor, Horace Greeley, one of the town’s financial backers.  Photographers arrived in Greeley shortly after its establishment.  This is the first of three blog posts discussing Greeley’s 19th-century photographers.

1870                                                                                                                                           John Wilkinson (bc 1840) is listed as a photographer in the 1870 federal census for Greeley.

J. M. (or I. M.)  Johnson opened the first photography studio in Greeley, working briefly between November 1870 and February 1871.  His gallery was known as the Pioneer Photographic Gallery as well as Johnson’s Rocky Mountain Gallery of Art.  He sold stereoscopic views of Greeley and the Rocky Mountains.

Johnson & Frisbie had a studio on Main Street in Greeley.  

1871-1891                                                                                                                                 Benjamin Franklin Marsh and his twin brother, Clark, were born on December 26, 1833, in Southport, New York to Belorman Marsh and Mary Heller Marsh.  The Marsh family lived on a farm seven miles from Elmira.  On December 27, 1859, Benjamin married Sarah S. Smith in Southport.

Between 1864 and 1870, Marsh worked as a photographer outside Cleveland, Ohio, in Painesville, on the Grand River.  In 1870, B. F. Marsh moved west and became one of the original residents of the Union Colony, an experimental utopian farming community now known as Greeley, Colorado.  His family arrived the following year.  Marsh set up the town’s first permanent photo studio in Nichols’ Block, on Main Street, purchasing supplies from E. and H. T. Anthony of New York City, the country’s largest manufacturer of photographic goods.  The Rio Grande Railway commissioned Marsh to make stereoviews in the Pike’s Peak region.  

Greeley stereo
B. F. Marsh, photographer. Greeley Tribune Building, Maple Street (7th St) between 7th & 8th Avenues.  AI-2520, City of Greeley Museums, Permanent Collection.

In addition to running the photo studio, where he also sold ice cream, Marsh served as Greeley’s town clerk, recorder and treasurer.  In June 1883, B. F. Marsh’s daughter, Kitty, spent three weeks in Denver learning the finer points of retouching photographs.   In the fall of that year, while Marsh traveled back to Ohio and New York to visit friends, he leased his studio to E. W. Pierce.

Marsh did not resume work in the studio until May 1884.  That summer he erected a new gallery with modern improvements.  Later that year, his twin brother joined the business, forming the Marsh Brothers.  They worked together until April 1886.  

In addition to making portraits and views of Greeley and the surrounding area, Marsh photographed the only known lynching in Greeley.  On December 29, 1888, Wilbur D. French was arrested for the suspected murder of a mill merchant.  French was reviled in the community as a cattle rustler.  It was also assumed that he had killed his wife a year earlier.  Since no one witnessed the murder of the mill merchant, residents feared French would not be convicted, so they took matters into their own hands.  Marsh produced  a cabinet card photograph of the lynching.  (The same photograph, published on a C. M. Clark cabinet card mount, was probably printed later.)

Hanging
B. F. Marsh. Hanging of Wilbur D. French, December 1888. Photo from Bidsquare website.

In 1891, Marsh took a position in Greeley’s assessor’s office and shuttered his photography business shortly thereafter.  Benjamin Franklin Marsh died on July 10, 1900 of Bright’s disease.  Survivors included his wife and eight children.  Marsh was laid to rest at Linn Cemetery in Greeley.  

1874                                                                                                                                     Frederick Christopher Warnky was born at Malchow, Germany, on August 27, 1838.  At nine years of age, he emigrated to the United States to live with family in Milwaukee.  At age fifteen, Frederick joined a wagon train heading for California in St. Joseph, Missouri. He met his future wife, Mary Jane Brownell, in 1865 outside Stockton, California.  They married on December 19, 1865 in Benton County, Oregon.  The following year Frederick and his wife farmed in California’s San Joaquin Valley.  

While in California, Frederick attended lectures by members of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS) and decided to join the church.  He would continue to be an active member of the church throughout his life.  

The Warnky family moved to Colorado Territory in the fall of 1874 as the first missionaries for the RLDS church in Colorado.  Warnky, who had learned photography by this time, traveled around the Territory with a horse and wagon and his photography tent, taking pictures during the day and preaching in the evenings.  They spent five years in Colorado, living in Greeley, Golden, Fairplay, Lake City, and Leadville.

While working in southern Colorado, Warnky met photographer Charles L. Abbott. They would partner as Warnke & Abbott in Garland and Alamosa, Colorado, and in Abiquiu, New Mexico.  In November 1879, Warnky’s wife and four children moved to Independence, Missouri, headquarters of the RLDS, while Frederick pursued business opportunities in New Mexico.  

After working several months in New Mexico, Warnky established a photography studio at 214 West Lexington St., Independence, Missouri, until 1891, when he relocated his business to Argentine, Kansas.  Mr. Warnky advertised his work at this new gallery as a portrait and landscape photographer.  When his daughter joined his business, she taught painting “of different kinds” and also fancy work.  Warnky maintained a photography studio until 1900 when R. E. Lauck advertised his studio at Warnky’s old stand.  

Frederick C. Warnky died in Independence, Missouri on December 24, 1920.  He is buried at Woodlawn Cemetery in Independence.  

1876-1877                                                                                                                               Mrs. E. A. Masters moved to Greeley, Colorado by the summer of 1876, offering portraits, cartes de visite, large photographs and views of residences. She claimed she made a specialty of portraits of babies.  A couple of months later, she advertised her photographic work under the surname of her first husband, Mrs. E. A. Hammatt. 

1878                                                                                                                                           David Clinton Broadwell was born just south of the Canadian border in Fort Covington, New York around 1855.  He learned photography as a teen.  The 1870 federal census for Deerfield, Michigan lists Broadwell as a photographic artist, only fifteen years old.  Between 1873 and 1876, he operated a studio in Lansing, Michigan, described as the “only gallery in the city situated entirely on the ground floor.”  His time in Lansing included a short partnership as Broadwell & Wood.  Broadwell relocated to Milwaukee, Wisconsin in 1877.  Health issues led him to Greeley, Colorado a year later, where he set up a tent gallery across from the drug store.  Sadly, D. C. Broadwell succumbed to consumption on February 27, 1879, in Windsor, Michigan.  He was just 24 years old.  Broadwell left a wife and a young son.  

Thank you to Miranda Todd, Archives Assistant at the Greeley Museum for research assistance and to Beverly W. Brannan for proofreading.  

 

 

 

 

 

 

Mrs. E. A. Masters, An Early Fort Collins Photographer

Eliza Ann Whitney was born in Hillsboro, New Hampshire in November 1832. Her first husband, John B. Hammatt, died in 1854.  On January 1, 1856 Eliza  married George H. Chandler in Montague, Massachusetts.  This union ended in divorce.  Her third marriage took place on December 20, 1869 in Johnson County, Iowa to photographer, William H. Masters. Undoubtably, Eliza learned photography from Masters.

The couple resided in Denver, Colorado in 1873, where William Masters operated a photo studio at 372 Larimer Street.  Unfortunately, by the spring of 1874, the couple had split up.  Mrs. Masters moved to Fort Collins and established one of the city’s first photo studios. Her husband filed for divorce in November 1875, citing willful desertion.  

Her decision to live in Fort Collins may have been prompted by plans to establish a telegraph line through the growing city.  Masters, an experienced telegraph operator, could combine occupations under one roof, with the likelihood of providing enough income to live on her own.

Right before opening her business, a horse and buggy accident left Mrs. Masters with a badly sprained ankle and several bruises.  The mishap occurred between Fort Collins and Denver when the horse was spooked, throwing Mrs. Masters from the carriage.  Masters spent two weeks convalescing in Greeley, Colorado.  

Mrs. E. A. Masters, photographer. Portrait of an unidentified child, albumen silver print on carte de visite mount, 1874-1876. History Colorado. Accession #95.200.1065.

By August 1874, Mrs. Master’s gallery was up and running.  A couple of weeks later, the telegraph office opened in her rooms and Masters offered to teach the telegraphy craft to others.  But running the two businesses did not bring financial success.  The local newspaper reported that money was tight and that Masters would accept ranch products in exchange for work.

Mrs. E. A. Masters, photographer. Portrait of Sadie Bosworth, albumen silver print on carte de visite mount, 1874-1876. Peter Palmquist collection of women in photography, Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library.

Masters moved to Greeley, Colorado by the summer of 1876, offering portraits, cartes de visite, large photographs and views of residences. She claimed she made a speciality of portraits of babies.  A couple of months later, she advertised her photographic work under the surname of her first husband, Mrs. E. A. Hammatt.

After her time in Greeley, Hammatt’s whereabouts are unknown until 1884, yet her close-up head and shoulders portrait of the ethereal-looking baby shown above may forecast her interest in the spirit world.  

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Back of carte de visite. Peter Palmquist collection of women in photography, Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library.

Hammatt left the photographic field to pursue a decades-long interest in spiritualism.  Her family disapproved of this profession, and forced her into a California mental institution for several months.  Following her release, Hammatt traveled around the country giving lectures on spiritualism.  Her experience in the mental institution understandably left her with an enduring interest in assisting other spirit mediums.  She purchased land in San Diego County and planned to open a home for ill and retired mediums and orphaned children. 

Based in California, newspaper journalists described Hammatt “as a lady of striking appearance; she has a firm, resolute expression, and possesses high intellectual acquirements and is a very intelligent conversationalist.”  In 1886, she participated in Oakland, California’s Spiritualists’ Summer Assembly, occupying Tent No. 41. The Oakland tribune reported that  “She has a materializing cabinet inside of a protective rubber string room, which is one of the central attractions in the camp grounds.  This lady has a wide reputation in mediumship, and has given satisfaction to those who have tested her powers, and she claims to be giving entire new knowledge from the spirit world, which she is in possession of.  Mrs. Hammatt can be consulted at her tent until the close of the camp meetings.” 

Eliza Ann Hammatt died in California in 1908.   It is unknown if she was successful in opening her home for mediums.  

Thank you to Elisabeth Parker, former assistant chief, Prints & Photographs Division, Washington, D.C., for  proof-reading this post.   Jori Johnson, Collections Access Coordinator, History Colorado  provided research assistance.  Keegan Martin, Digital Imaging Assistant, History Colorado and Naomi Saito at  The Beinecke Library provided the scans.