John E. Beebe, Photographer, Dry Plate Manufacturer, and Advertising Executive

John E. Beebe was born into a prominent family on December 11, 1851, in Galena, Illinois, the fifth of ten children.  His father, Thomas Hempstead Beebe (1819-1906), was the president of the Peshtigo Lumber Company, and his mother, Catherine Eddowes Beebe, was a native of Delaware.  They met and married in Galena.  The family moved to Chicago, Illinois, shortly after John’s birth.  Two Irish domestic servants assisted the busy household.  

In the mid-1860s, John attended the University of Chicago’s preparatory school. By 1869, he had secured a job at H. W. King’s wholesale clothing business, initially as a clerk and later as an assistant bookkeeper.  The Great Chicago Fire of October 1871 destroyed the Beebe family home at 368 Ohio Street, and their lumber business suffered a loss of three-quarters of a million dollars.  

John Beebe and Lucia Chase were married on New Year’s Eve, 1874, at the Chicago home of the bride’s parents.  In 1876, Beebe opened a photography studio in Chicago.  He was active in both the Chicago Photographic Association and the Photographers’ Association of America, serving as an officer in both organizations.  He was the youngest man to serve as president of the latter organization. 

https://www.piercevaubel.com/cam/catalogs/1312.scovill.wilson.hool.1883-all.pdf

In 1881, Beebe incorporated the Chicago Dry Plate & Manufacturing Company.   He championed the new dry plate negative process over the older wet plate chemistry, declaring,  “All odors of ethers and chemicals are banished from my studio.  No waiting for plates to be prepared, nor hurry on account of plates spoiling, thereby losing expression, for sake of saving the plate… In a word, I am now enabled to give all my time and attention to the artistic part of my profession, the annoyance and unreliability of the chemical manipulations having been reduced to the minimum.”

By the fall of 1882, the Beebe plates were so popular that the firm built a new factory near Lake Michigan devoted to manufacturing them.  Each batch underwent testing before being sold.  In June 1883, the major dry-plate firms agreed to offer their plates at reduced prices.  However, by the following month, Beebe must have realized that the dry plate business was no longer profitable.  He returned to operating a photography studio, partnering with well-known Chicago portrait photographer Henry Rocher.  Sadly, the Chicago Dry Plate Company closed in March 1884.

Dog with ribbon
J. E. Beebe, photographer. George Clayton’s dog, between 1887-1891.  History Colorado, 95.200.200.

After the closure, Beebe moved to Denver, Colorado.  He opened a ground-floor photography studio at 438 Arapahoe Street.  In the fall of 1886, Beebe exhibited portraits of Denver society at the Manufacturers’ Exhibition.  The following year, his brother Christopher joined the business.  Frank Haffner, hired as a photographer in 1890, took over the studio two years later when Beebe established the Beebe Photo-Engraving Co.  The new company specialized in half-tone copper engraving, zinc edging, wood engraving, line and map work, artistic illustrating, designing, and photographing.  

During this time, Beebe was enrolled at Gross Medical College and was chosen class president.  He graduated in 1895. Subsequently, he returned to Chicago and began practicing medicine.  After practicing medicine for five years, Beebe changed careers again, this time studying advertising at the Page Davis School of Advertising, one of the first correspondence schools in the field.  John Lee Mahin, president of the Mahin Advertising Company and one of the men associated with the correspondence school, hired Beebe before he completed the program.  When asked why he gave up his medical practice to work in advertising, Beebe stated:  “…while I could make a modest living at medicine, I could not lay up anything for the future… I wanted the opportunity to go after business and not sit and twirl my thumbs and wait for it to come to me… In ninety days I was earning my guarantee, in five months I was in Europe where I remained several months for one of our customers, and have been busy enough ever since to satisfy the most ambitious.”

Beebe portrait
John E. Beebe, from Agricultural Advertising, October 1906, page 352.

His experience with photography and engraving enhanced his advertising business.  In 1906, he wrote an article on Photographic Salesmanship, stating, “…photographic representation… always attracts attention, creates interest, stimulates desire and ends in the resolve to buy.”  His writings also reference historical photography, as well as contemporary Chicago-based photographer George Lawrence and his panoramic views made from kites.  Beebe’s final career move was as director of publicity and trade extension for the Old Ben Coal Corporation.

After a long illness, Beebe’s wife died in March 1920.  He married Clara Eleanor Pause on October 23, 1923, in Alameda, California.  In 1933, his only son and namesake passed away.  John E. Beebe died on November 14, 1936, of coronary thrombosis and arteriosclerosis.  He is buried at Greenwood Cemetery in Galena, Illinois.  

Thank you to Jori Johnson, Ann Sneesby-Koch, and Aaron Marcus, History Colorado.

Early Photo Studios in Wetmore, Colorado

The picturesque Wet Mountain Valley, 150 miles southwest of Denver, attracted thousands of miners in the mid-1870s.  The first photographers arrived to the area in the 1880s.

Here are a couple of views photo studios during the 1880s. The  prints found in public libraries are not vintage prints, and the photographers remain unidentified.

Unknown maker. William “Moccasin Bill” Henry Perkins and his daughter standing in front of a photo tent in Wetmore, Custer County, Colorado, 1880. Denver Public Library, Western History, X-14093.

This studio has a fabric sign promoting the photographer’s work.


Unknown maker. View of two teams of mules and riders in front of a photo studio, Wetmore, Custer County, Colorado, 1885-1890, Denver Public Library, X-14101.

The above studio appears to the left of the white tent in the street scene below.  As you can see in the detail, the cloth sign is the same in both photographs.

Street in Wetmore
Wetmore, Colorado, 1880. Denver Public Library, X-14092.
Wetmore detail
Detail of Wetmore street scene.

Two photographers worked in Wetmore in the mid-1880s.  James C. Stoneman (b. 1858) arrived in Wetmore in 1884.  Emmett Little  (b.c. 1851-1907) was also in Wetmore in 1884.

Please let me know if you have information about who took these photographs.

Picturing Longmont Lecture

The Longmont Museum (Longmont, Colorado) is presenting a program featuring early photographs of Longmont on Thursday, February 29 at 7 pm in the Museum’s Stewart Auditorium.   Director Erik Mason and the museum’s new Curator of History Elizabeth Beaudoin will show images selected from the Museum’s photo archive.

Charles W. Boynton, photographer. 300 block of Main Street, Longmont,between 1897-1905. Courtesy of the Longmont Museum

The program is presented in conjunction with the Museum’s “Picturing the West” exhibition.  The show comprises 48 images from the collection of Michael Mattis and Julia Hochberg– mostly albumen prints, including mammoth, double-mammoth, and even triple-mammoth plates. They are some of the most sumptuous photographs to survive from the Era of Exploration and provide a rare opportunity to compare the photographers’ approaches to capturing the “sublime” in the unspoiled Western landscape.

Featured are nineteen photographs by Carleton E. Watkins, eight by William H. Jackson, and four by Eadweard Muybridge. Other artists include William Bell, Henry Hamilton Bennett, Frank Jay Haynes, John Hillers, Thomas Johnson, Timothy O’Sullivan, William Rau, and Charles Savage. Andrew J. Russell’s rare album The Great West is also on display.

The show closes on May 5.

George Stephan, Photographer, Attorney, and Lieutenant Governor of Colorado

George Stephan was born in Cleveland, Ohio on March 30, 1862, to John C. Stephan and Elizabeth Watson Stephan.  His father worked as a dentist.  George attended Cleveland public schools, graduating from high school in 1878.  George moved to Denver four years later, where his uncle Henry W. Watson ran a photography studio.  George likely learned photography from his uncle.

 

George Stephan, Photographer. Portrait of Ernest N. Petersen, circa 1885. Collection of the author.

For about six years, George Stephan earned his living as a photographer in Denver.  When he departed Denver for Salt Lake City in 1888, Stephan left Elmer E. Pascoe in charge of his studio. Pascoe continued to run the business (Stephan & Pascoe) until 1892 when the firm was shuttered.

In 1890, George Stephan returned to Colorado, residing in Delta.  He was active in banking and real estate.  By 1900 he had been admitted to the bar and established a large practice.  He held many local and state offices in Colorado.  Stephan was elected  Lieutenant Governor in 1918 and a U. S. district attorney in 1924.  He retired to California and died in La Jolla, California on September 9, 1944.  He was interred in the family plot at Delta Cemetery.

Thanks to Cindy Motzenbecker for gifting me the studio portrait, which inspired this post.  Kellen Cutsforth, Denver Public Library (DPL), provided scans from DPL.

“Come to Colorado” exhibition at Amon Carter Museum

Come to Colorado, photographs by William Henry Jackson, William G. Chamberlain, C. W. Erdlen, and many other photographers, is on view at the Amon Carter Museum (Fort Worth, TX) through January 7, 2024.  The collection is drawn from the Fred and Jo Mazzulla collection.  In 1976, the Amon Carter Museum  acquired the collection of  more than 6,000 photographs, postcards and memorabilia relating to the history of Colorado.  

Chamberlain
W. G. Chamberlain, photographer. [David Bruce Powers’ Train of Fort Leavenworth at Denver], June 20, 1865. Albumen silver print.
On Wednesday, November 1, 2023 at 5:30pm, Eric Paddock, curator of photography at the Denver Art Museum and Colorado native will join the Amon Carter’s retired Senior Curator of Photographs John Rohrbach to discuss photography’s role in shaping Colorado’s image as an economic resource and outdoor playground. 

William Henry Jackson, photographer. Tunnels 10 an 11, 11 Mile Cañon Colorado Midland R.R., 1887. Albumen silver print.

Charles Henry Clark in Salida

A native of Oxford County, Maine, Charles Henry Clark’s parents Thomas Green Clark and Martha Bumpus Clark worked as farmers.  Born in October 1847, Charles Clark was the youngest of five children.  By 1860, the Clark family had settled in Eagle, Illinois.  In June 1864, C.H. Clark mustered into the 138th Illinois Infantry, Company I, serving 100 days on garrison duty at Fort Leavenworth, Kansas. 

After the war, Clark worked as an artist in Streator, Illinois.  In 1880, he took charge of Albert Barker’s photography gallery in Ottawa, Kansas.   

C. H. Clark, photographer. [Donkey Foal], 1884, Salida.  Albumen silver print.  Amon Carter Museum of American Art, Fort Worth, Texas.
His exact arrival in Colorado is disputed, but in December 1881 he purchased  L.K. Oldroyd’s gallery in Colorado Springs, Colorado. He published oversized stereoviews  of Denver, Colorado Springs, and scenes along the Denver & Rio Grande Railway.  In 1883, Clark worked out of Gunnison. He published and was the general trade agent for George Mellen’s photographic views.

In June 1884, he set up a studio in Salida, where his life-size, hand-colored portraits were consistently praised in the press. A display of his views and portraits was included at the 1887 Saguache County Fair.  In January 1888, a devastating fire broke out in Salida, just as Clark was moving his studio to new quarters.  The studio sustained $1300 in damages, and all of Clark’s early negatives of Salida were ruined.  

Mining scene
C. H. Clark, photographer. Shamrock Mine, Taylor Gulch, near Garfield, Colorado, 1887. Albumen silver print.  Amon Carter Museum of American Art, Fort Worth, Texas.

In the fall of 1888, Clark formed a partnership with C. W. Erdlen.  Clark & Erdlen worked as partners until April 1889 when Clark left Salida, and Erdlen took over the gallery. Clark’s departure followed the death of his young daughter, Ada. The Clark family practiced the Christian Science religion and were criticized in the local press for not providing adequate care of Ada during her illness. The Clarks settled in Manitou, Colorado. His future whereabouts are unknown until 1919 when Civil War records indicate he was living in a home for disabled soldiers in Los Angeles.  He died in 1925 in San Diego.

Thank you to Elisabeth Parker, former assistant chief, Prints & Photographs Division, Washington, D.C., for  proof-reading this post.